Audeze Artists 2025 Grammy Winners
The Audeze Artists of Metropolis Studios
Andrew Scheps has spent over 35 years in the industry and is a 3x Grammy award winning Mixer/Producer/Engineer/Label Owner/Software Developer whose credits are ridiculously long and star-studded.
Lee Ranaldo, musician, visual artist and writer, co-founded Sonic Youth in 1981. He played in Glenn Branca’s early ensembles and symphonies, 1980-1984, and has been active both in New York and internationally for over forty years as a composer, performer, collaborator and producer, also exhibiting visual art at galleries and museums worldwide, and publishing several books of journals, poetry, and writings on music.
April 15, 2019
Think of sound waves like a series of ripples in a pond. If you drop a single pebble into a flat surface of water, it produces a series of waves, radiating outward in a circle. Drop two pebbles in two different locations, and the ripples will both try to radiate in a circle, but when one wave crashes against another, it distorts that wave, causing it to change shape, speed, and direction. This same phenomenon occurs in audio, and is appropriately known as “wave interference”. Wave interference, although a larger issue for speakers than for headphones, is still a major obstacle in high-performance headphone audio.
Audeze has developed a patented technology to combat this interference, which we call the “Fazor™”. Think of Fazors like guides for sound, maneuvering the sound waves out of the drivers in an even and smooth way without interfering with each other. Each Fazor element is placed just outside the magnets that drive the diaphragm, allowing the sound waves out in a more even and parallel direction, reducing interference and diffraction, or scattering of sound waves.
Why bother making the soundwaves smoother? By reducing the resistance to the natural flow of sound waves, Audeze’s Fazor arrays accomplish multiple goals while adding minimal weight and greater performance.
They not only align sound waves for improved midrange clarity, they also allow greater efficiency, and help keep our Fluxor magnets acoustically transparent. This is because they help sound waves pass through the magnet structures unhindered, causing less degradation and interference by the mass of the magnets themselves.
Diffraction of sound off the magnets can cause different frequencies to arrive at different times, which results in changes in phase (essentially the timing of the sound waves relative to each other). With Fazors, sound waves generated by our large planar magnetic diaphragms pass through magnetic structures without disturbance, preserving timing details in the recorded signal. This ultimately results in cleaner sound, greater resolution, and better imaging, as well as allowing the diaphragm to settle faster and with less “ringing.”